11/26/2010

The Rose Tattoo Review

The Rose Tattoo
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This is a good, not great Williams drama, about a woman named Serafina Delle Rose, a spirited, vivacious Sicilian immigrant living somewhere along the Gulf Coast. While she is stricken by a death early on in the play, it is her heart and soul which throughout the story is subject to her own mania. She is an insensed woman, in the stereotypical Italian thrust, full of big gestures and deep longing. Also a devout Catholic, her spiritually gut wrenching journey is tied very much into the Virgin Mary.
Without dealing with what happens and why and who it happens to, this is very much a Williams play. A widowed woman, yearning for a life that is gone, sexually frustrated, emotionally wracked. There is also much symbolism, in particular Catholic symbolism, and spiritual superstition. Serafina's sexually blossoming daughter is where Serafina once was, and this provides for conflict, but the sub-plot here is not great, and the majority of the play is Serafina's wild twisting from love toward love, with the gamut in between.

"Snatching the eternal out of the desperately fleeting is the great magic trick of human existence." So says Tennessee in a terrific short essay called The Timeless World Of A play, which opens the book.

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Product Description:
Published as a trade paperback for the first time, with a new Introduction by the acclaimed playwright John Patrick Shanley (Doubt) and the one-act on which The Rose Tattoo was based.
The Rose Tattoo is larger than life-a fable, a Greek tragedy, a comedy, a melodrama-it is a love letter from Tennessee Williams to anyone who has ever been in love or ever will be. Professional widow and dressmaker Serafina delle Rosa has withdrawn from the world, locking away her heart and her sixteen-year-old daughter Rosa. Then one day a man with the sexy body of her late Sicilian husband and the face of a village idiot, Mangiacavallo (Italian for "eat a horse"), stumbles into her life and clumsily unlocks Serafina's fiery anger, sense of betrayal, pride, wit, passion, and eventually her capacious love.
The original production of The Rose Tattoo won Tony Awards for best play and for the stars, Eli Wallach and Maureen Stapleton. Anna Magnani received the Academy Award as Best Actress for the 1955 film version.
This edition of The Rose Tattoo has an Introduction by playwright John Patrick Shanley, the author's original Foreword, the one-act The Dog Enchanted by the Divine View that was the germ for the play, and an essay by noted Tennessee Williams scholar Jack Barbera.

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